PLAYER
» Journal:
disgracefully
» Birthdate/Age: February 22, 1982
» Characters Played: None
» Re-App Status: Re-App; will be retaining memories.
CHARACTER FACTS
» Name: Bela Talbot. It's unknown if she legally changed her name to this or if it is one of her many aliases, like Mina Chandler, Alex, and Lugosi. Her birth name is likely Abigail, shortened familiarly to Abby.
» Canon: Supernatural
» Reference: Bela @ the Supernatural Wiki
» Canon Point: 3.17 "Time is On My Side;" after she hangs up with Dean and hears the hounds in the distance.
» Gender: Female.
» Age: 24. She was fourteen when she made her deal with the Crossroads Demon, a deal which gave her ten years.
CHARACTER INTERPRETATION
» Appearance: Bela's looks are a throwback to the classic film noir femme fatale. Standing at 5 feet 8 inches, she is tall and leggy, her height enhanced by an ever-present wearing of stilettos and her legs highlighted by her choice in attire. She is always made-up and well-coifed. Her light brown hair is kept long and nearly always worn down and loose. Her make-up is subtle and classic, complementing her peaches and cream complexion and her green eyes. Her body is voluptuous, sporting a slight hourglass silhouette.
Her wardrobe is professional and fashionable. She favors trenchcoats and leather jackets, and almost always wears some sort of accessories to put together the outfit. She does seem to prefer skirts over pants, but does know how to dress for the occasion. Even when she's trying to appear low-key, she's well-put together.
» Suitability: N/A
» Orientation: Complicated. Bela is never seen engaging in any romantic or sexual activities during her appearances on the show, aside from a dream of Sam Winchester's. There is evidence, however, that she prefers men or is, at least, attracted to men. In "Bad Day at Black Rock," while stealing the rabbit's foot from Sam, she is rather fliratious with him, even rubbing his lap with a towel. In "Red Sky At Morning," Bela is seen appreciating how nicely Dean cleans up in a tux, going so far as to say "When this is all over, we should really have angry sex." They pose as a couple as a fancy function, and she pretends to be 'engaged' with him (clutching the loosened neckline of her dress to her body) while providing a distraction as he steals the item they're after. In fact, in most of her interactions with Dean, their banter could be interpreted as having a sexual undercurrent, up until she steals the Colt from the Winchesters. It is unknown if Bela is or was attracted to women; it's never seen in the show, but not ruled out completely either by word or action. All of this is complicated by the evidence that she was sexually abused by her father. It's unknown how long the abuse lasted, but it is seen as the reason she made her crossroads deal.
» Personality: Bela is not just a thief. As she tells Dean, she is a great thief, and a con artist of the highest caliber. If her life had been different, if she walked a different path, she could have been an award-winning actress. Instead, she puts that considerable talent to use for her own gains. She can become anyone she needs to be: a clumsy waitress, a consultant for the spirit world, a reporter, the over-indulged wife at a charity affair. Misdirection and subterfuge are her tools of trade, and she wields them with uncanny skill. Obviously, she has no qualms about lying. It comes naturally to her, as natural as telling the truth comes to most normal people. She finds nothing wrong with telling people what they want to hear, especially if her version of the truth lines her pocket and keeps her in expensive shoes. It's a job to her, and just as commonplace as such.
Considering that she deals in rare occult items, it's safe to say that she has some sort of belief system in place. Bela is not religious or spiritual, though she isn't above playing either for a job, but she believes in what's out there. Given her actions, she most definitely is not living the life of the traditional just and moral person. If anything, she falls into that morally grey area, heading straight for the dark, dark other side. She breaks commandments left, right, and center. She steals, she lies, she made a deal for her parents to be killed (so no honoring the mother and the father there). The only thing that seems to take special circumstance for her is killing. While she has no qualms over breaking multiple laws and commandments, murder is one that her hand must be forced into. Despite her claim that she killed her parents to get rich, it was likely the abuse from her father that pushed her into making the deal that sealed their fates. And while she shoots Sam and holds him and Dean at gunpoint for the rabbit's foot, it's unlikely that she would have actually killed either of them over it. The threat of death is often enough motivation to get what she wants. The only other time Bela is pushed to murder is when the prospect of getting out of her deal is dangled in front of her. Because when it all boils down, she will choose herself over anyone else any day.
Bela plays her cards very close to her chest and keeps an iron-tight facade up at all times. Weakness is not tolerated, and it certainly isn't tolerated to be shown. She's never seriously affectionate towards anyone; at best, she banters, tossing out a double-edged rejoinder. Everyone is kept at an arm's length, at least, even people she knows can help her or be of some real use to her. It isn't that she's truly cold-blooded. It's safer this way, for her. There's a danger in connections, in feelings. By connecting with someone, she could open herself up to being hurt by them. Given that she was hurt by the two people she should have trusted above all else, she doesn't ever want to be hurt again, or put herself in a situation to be hurt. Connections could also be used against her. In her line of work, Bela deals with dangerous, even crazy, people. If a job were to go terribly wrong, a significant other would only be cannon fodder to be used against her. And feelings. Given her commentary on hunters, it's clear how she feels about emotions. Emotions make you stupid, make you have knee-jerk reactions and do things you'll later regret. It's likely this stems from her own empty taste of vengeance. She's had her slice of that dish best served cold, and now, she won't even live long to fully regret it.
It is in Bela's hours of need that a glimpse of her real character is shown. She shows fear in the face of death, the two times it's shown, though she does not run from it. Knowing that the hellhounds are coming for her, she gives Dean the name of the demon who holds their contracts, charging him with finishing her, since Bela cannot. It's not so much bravery, though, as it is resignation. She's known that she's been damned to Hell since she was fourteen. Death, to her, is inevitable and unavoidable. As she tells Dean, “we're all going to Hell. May as well enjoy the ride.” Despite the callousness, this is her belief. Having one debt hanging over her head, she is loathe to incur more, paying Sam and Dean when they save her life in Red Sky at Morning. She is also loathe to ask for help; instead, she lets herself fall into dire straits before giving in. She becomes desperate when cornered, trying anything and everything to fight her way out. She steals the Colt in hopes that it'll break her deal. When the deal changes, she hesitates, but ultimately gives in at the last moment. She seems to wait until the very last second, still clinging to some naïve hope that she'll be saved.
For all her callousness and coldness and distance, underneath it all, Bela is still poor abused Abbie. Disheartened, dejected, pushed to her limits and frightened. She was failed by her father, but still hopes to be saved and protected, even as she pushes away the people who could do that for her. When the hard outer shell of the tough femme fatale crumbles, all that's left in its place is a lost schoolgirl.
» Re-App Changes: Though her time in Amat was brief, it left some indelible changes on Bela. Some of the walls she formed in canon were chipped away at, though not completely destroyed. This came through interaction with others in her canon (Dean and Sam Winchester), as well as cross-canon. Her friction with Dean stayed, but there was some softening/playfulness to it. She engaged in sexual relations with both men and women, never truly showing a preference for either. In the beginning, it was mostly out of obligation to the island and her collar. She expressed some willingness to die to forget certain memories, but never did let her collar get that far.
The biggest change came from her relationship with Annie. In the other woman, she found an equal, a partner, someone who could keep up and really challenge her. She came to care for her, to even possibly love her, though she never got the chance to tell her.
SAMPLES
» First Person Sample Choice (one):
[ The video starts, showing Bela wrapped in the sheet from her bed, hair tousled. It's clear that she's just woken and didn't want to wait before addressing the island. If she's unhappy about being back, she doesn't show it. In fact, her face doesn't show a feeling either way.
Don't play poker with Bela, folks. ] Atia, sweetie, you make a girl feel a bit like a yo-yo. I'm all for fun and games, up to and including someone losing an eye. Hazard of the business, of course; I would never attempt to blind someone on purpose. [ There's that smile. That cat-eating-the-canary, butter-wouldn't-melt-in-her-mouth look. ] I suppose there's a reason I'm back, be it good, bad, or mediocre.
[ There's a pause, a twinge of her lips that she tries to cover by looking at her nails. ] How long have I been gone, if there's anyone still her that I knew in that former life.
» Third Person Sample Choice (three):
Despite the lapsed time, they pick up right where they left off. It's like undeniable muscle memory, the way Bela drags her fingers through Annie's hair to gather a fistful of it. She pulls gently, insistently, until the blonde gives way, and Bela presses her mouth to hers. Her mind is divided, remembering her past, her far past when this would mean nothing but a transaction, and her past on this island and how much she wants this. Needs this. This kiss starts sweet, a hello and a I missed you and other unspoken things. But soon she's nibbling, biting, at Annie's lips and jaw and neck. She wants more.
They still fit together like puzzle pieces, not even skipping a beat. Bela pushes her back until they hit the desk. Blindly reaching, she sweeps everything to the floor with a stiff arm, giving Annie room to sit (and lay) back. She breaks away for air, panting hard and unable to stay away for long. Her fingers grab at her partner's blouse, hesitating. Unbutton or tear, it's a hard decision. But not one she lingers on long. She grabs the shirt and pulls roughly, popping the buttons off their threads in the process. Hopefully there's nothing sentimental about it. She'll buy her a new one later.
As soon as she parts the fabric, she leans forward, pressing her lips to the expanse of bared skin. Bela kisses and licks a line from the hollow of her throat to the crest of her cleavage, pausing to breathe in the scent that she's missed.
» Journal:
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
» Birthdate/Age: February 22, 1982
» Characters Played: None
» Re-App Status: Re-App; will be retaining memories.
CHARACTER FACTS
» Name: Bela Talbot. It's unknown if she legally changed her name to this or if it is one of her many aliases, like Mina Chandler, Alex, and Lugosi. Her birth name is likely Abigail, shortened familiarly to Abby.
» Canon: Supernatural
» Reference: Bela @ the Supernatural Wiki
» Canon Point: 3.17 "Time is On My Side;" after she hangs up with Dean and hears the hounds in the distance.
» Gender: Female.
» Age: 24. She was fourteen when she made her deal with the Crossroads Demon, a deal which gave her ten years.
CHARACTER INTERPRETATION
» Appearance: Bela's looks are a throwback to the classic film noir femme fatale. Standing at 5 feet 8 inches, she is tall and leggy, her height enhanced by an ever-present wearing of stilettos and her legs highlighted by her choice in attire. She is always made-up and well-coifed. Her light brown hair is kept long and nearly always worn down and loose. Her make-up is subtle and classic, complementing her peaches and cream complexion and her green eyes. Her body is voluptuous, sporting a slight hourglass silhouette.
Her wardrobe is professional and fashionable. She favors trenchcoats and leather jackets, and almost always wears some sort of accessories to put together the outfit. She does seem to prefer skirts over pants, but does know how to dress for the occasion. Even when she's trying to appear low-key, she's well-put together.
» Suitability: N/A
» Orientation: Complicated. Bela is never seen engaging in any romantic or sexual activities during her appearances on the show, aside from a dream of Sam Winchester's. There is evidence, however, that she prefers men or is, at least, attracted to men. In "Bad Day at Black Rock," while stealing the rabbit's foot from Sam, she is rather fliratious with him, even rubbing his lap with a towel. In "Red Sky At Morning," Bela is seen appreciating how nicely Dean cleans up in a tux, going so far as to say "When this is all over, we should really have angry sex." They pose as a couple as a fancy function, and she pretends to be 'engaged' with him (clutching the loosened neckline of her dress to her body) while providing a distraction as he steals the item they're after. In fact, in most of her interactions with Dean, their banter could be interpreted as having a sexual undercurrent, up until she steals the Colt from the Winchesters. It is unknown if Bela is or was attracted to women; it's never seen in the show, but not ruled out completely either by word or action. All of this is complicated by the evidence that she was sexually abused by her father. It's unknown how long the abuse lasted, but it is seen as the reason she made her crossroads deal.
» Personality: Bela is not just a thief. As she tells Dean, she is a great thief, and a con artist of the highest caliber. If her life had been different, if she walked a different path, she could have been an award-winning actress. Instead, she puts that considerable talent to use for her own gains. She can become anyone she needs to be: a clumsy waitress, a consultant for the spirit world, a reporter, the over-indulged wife at a charity affair. Misdirection and subterfuge are her tools of trade, and she wields them with uncanny skill. Obviously, she has no qualms about lying. It comes naturally to her, as natural as telling the truth comes to most normal people. She finds nothing wrong with telling people what they want to hear, especially if her version of the truth lines her pocket and keeps her in expensive shoes. It's a job to her, and just as commonplace as such.
Considering that she deals in rare occult items, it's safe to say that she has some sort of belief system in place. Bela is not religious or spiritual, though she isn't above playing either for a job, but she believes in what's out there. Given her actions, she most definitely is not living the life of the traditional just and moral person. If anything, she falls into that morally grey area, heading straight for the dark, dark other side. She breaks commandments left, right, and center. She steals, she lies, she made a deal for her parents to be killed (so no honoring the mother and the father there). The only thing that seems to take special circumstance for her is killing. While she has no qualms over breaking multiple laws and commandments, murder is one that her hand must be forced into. Despite her claim that she killed her parents to get rich, it was likely the abuse from her father that pushed her into making the deal that sealed their fates. And while she shoots Sam and holds him and Dean at gunpoint for the rabbit's foot, it's unlikely that she would have actually killed either of them over it. The threat of death is often enough motivation to get what she wants. The only other time Bela is pushed to murder is when the prospect of getting out of her deal is dangled in front of her. Because when it all boils down, she will choose herself over anyone else any day.
Bela plays her cards very close to her chest and keeps an iron-tight facade up at all times. Weakness is not tolerated, and it certainly isn't tolerated to be shown. She's never seriously affectionate towards anyone; at best, she banters, tossing out a double-edged rejoinder. Everyone is kept at an arm's length, at least, even people she knows can help her or be of some real use to her. It isn't that she's truly cold-blooded. It's safer this way, for her. There's a danger in connections, in feelings. By connecting with someone, she could open herself up to being hurt by them. Given that she was hurt by the two people she should have trusted above all else, she doesn't ever want to be hurt again, or put herself in a situation to be hurt. Connections could also be used against her. In her line of work, Bela deals with dangerous, even crazy, people. If a job were to go terribly wrong, a significant other would only be cannon fodder to be used against her. And feelings. Given her commentary on hunters, it's clear how she feels about emotions. Emotions make you stupid, make you have knee-jerk reactions and do things you'll later regret. It's likely this stems from her own empty taste of vengeance. She's had her slice of that dish best served cold, and now, she won't even live long to fully regret it.
It is in Bela's hours of need that a glimpse of her real character is shown. She shows fear in the face of death, the two times it's shown, though she does not run from it. Knowing that the hellhounds are coming for her, she gives Dean the name of the demon who holds their contracts, charging him with finishing her, since Bela cannot. It's not so much bravery, though, as it is resignation. She's known that she's been damned to Hell since she was fourteen. Death, to her, is inevitable and unavoidable. As she tells Dean, “we're all going to Hell. May as well enjoy the ride.” Despite the callousness, this is her belief. Having one debt hanging over her head, she is loathe to incur more, paying Sam and Dean when they save her life in Red Sky at Morning. She is also loathe to ask for help; instead, she lets herself fall into dire straits before giving in. She becomes desperate when cornered, trying anything and everything to fight her way out. She steals the Colt in hopes that it'll break her deal. When the deal changes, she hesitates, but ultimately gives in at the last moment. She seems to wait until the very last second, still clinging to some naïve hope that she'll be saved.
For all her callousness and coldness and distance, underneath it all, Bela is still poor abused Abbie. Disheartened, dejected, pushed to her limits and frightened. She was failed by her father, but still hopes to be saved and protected, even as she pushes away the people who could do that for her. When the hard outer shell of the tough femme fatale crumbles, all that's left in its place is a lost schoolgirl.
» Re-App Changes: Though her time in Amat was brief, it left some indelible changes on Bela. Some of the walls she formed in canon were chipped away at, though not completely destroyed. This came through interaction with others in her canon (Dean and Sam Winchester), as well as cross-canon. Her friction with Dean stayed, but there was some softening/playfulness to it. She engaged in sexual relations with both men and women, never truly showing a preference for either. In the beginning, it was mostly out of obligation to the island and her collar. She expressed some willingness to die to forget certain memories, but never did let her collar get that far.
The biggest change came from her relationship with Annie. In the other woman, she found an equal, a partner, someone who could keep up and really challenge her. She came to care for her, to even possibly love her, though she never got the chance to tell her.
SAMPLES
» First Person Sample Choice (one):
[ The video starts, showing Bela wrapped in the sheet from her bed, hair tousled. It's clear that she's just woken and didn't want to wait before addressing the island. If she's unhappy about being back, she doesn't show it. In fact, her face doesn't show a feeling either way.
Don't play poker with Bela, folks. ] Atia, sweetie, you make a girl feel a bit like a yo-yo. I'm all for fun and games, up to and including someone losing an eye. Hazard of the business, of course; I would never attempt to blind someone on purpose. [ There's that smile. That cat-eating-the-canary, butter-wouldn't-melt-in-her-mouth look. ] I suppose there's a reason I'm back, be it good, bad, or mediocre.
[ There's a pause, a twinge of her lips that she tries to cover by looking at her nails. ] How long have I been gone, if there's anyone still her that I knew in that former life.
» Third Person Sample Choice (three):
Despite the lapsed time, they pick up right where they left off. It's like undeniable muscle memory, the way Bela drags her fingers through Annie's hair to gather a fistful of it. She pulls gently, insistently, until the blonde gives way, and Bela presses her mouth to hers. Her mind is divided, remembering her past, her far past when this would mean nothing but a transaction, and her past on this island and how much she wants this. Needs this. This kiss starts sweet, a hello and a I missed you and other unspoken things. But soon she's nibbling, biting, at Annie's lips and jaw and neck. She wants more.
They still fit together like puzzle pieces, not even skipping a beat. Bela pushes her back until they hit the desk. Blindly reaching, she sweeps everything to the floor with a stiff arm, giving Annie room to sit (and lay) back. She breaks away for air, panting hard and unable to stay away for long. Her fingers grab at her partner's blouse, hesitating. Unbutton or tear, it's a hard decision. But not one she lingers on long. She grabs the shirt and pulls roughly, popping the buttons off their threads in the process. Hopefully there's nothing sentimental about it. She'll buy her a new one later.
As soon as she parts the fabric, she leans forward, pressing her lips to the expanse of bared skin. Bela kisses and licks a line from the hollow of her throat to the crest of her cleavage, pausing to breathe in the scent that she's missed.